2019, A Year of Reflecting


A fronte praecipitium, a tergo lupi. Alis volat propiis. In front is a precipice, behind are wolves. She flies with her own wings.

NUMEROUS numerologists will tell you 2019 is an “ending year”. In my spiritual circles of yogis and meditators, they’ll tell you it’s the year you’ll wrap up your “soul agreements” with people, places or circumstances which no longer serve your higher good. For me, 2019 was a year of reflecting after a demanding decade which saw me flee to Singapore in 2010 after the sudden end of my marriage, and ultimately return home to Australia to rebuild my life.

For me, 2019 began with a bang more than a whimper. By early February I was in the Whitsundays, braving a rugged monsoonal trough of wild winds, stinging rains and savage seas, while trying to write a newspaper cover feature on the region’s recovery from Cyclone Debbie which had ravaged it two years earlier. Drenched, I groaned and giggled at the irony of my situation, the less-than-glamorous side of travel writing, and embraced the cheeky campaign adopted by tourism operators, who laughed at their soggy circumstances by renaming it a WetSunday Week. I learned a lot that week about going with the flow.

Two weeks later, on a sassy Southampton evening, I was on board the world’s newest cruise liner, the MSC Bellisima, sailing from France to England. All the while, stalking acclaimed Italian actress Sophia Loren, the ship’s godmother, who was onboard briefly. Because I am such a klutz, I even managed on that ship, stacked with glamorous European media, to lock myself out of my cabin while wearing nothing but my QANTAS pyjamas. Which wouldn’t have been so bad had I not had to stroll through the centre of a posh cocktail party to reception in my jim jams, bra-less and barefoot, to retrieve another key to my cabin.

March found me Noosa, just enough time to catch my breath before I flew to Kenya where I’d go on safari through the Masai Mara and sit in the shadow of mighty Mount Kilimanjaro. But it was meeting Mother Africa’s daughters, at the Ubuntu Café, which really caused me to pause and think. Here were a bunch of women who been made outcast by their communities for giving birth to disabled children. But they had clawed their way back from poverty and isolation, started a café, learned to sew, and were now stitching together a better life for themselves, their children and other women in their situation. It was the soul and spirit of these women that I took with me when I snatched a brief break to celebrate Easter in April, alone and ensconced in a surf shack at Agnes Water on the Southern Great Barrier Reef.

By May I was in Fiji, surrounded by the scent of frangipani flowers and the fat smiles of skinny kids, as I cycled through fields of sugar cane and snorkelled balmy oceans. We talked of conservation, and real-life castaways over on Castaway Island. I adore Australia’s South Pacific cousins, who always teach me so much about gratitude. Some days life is as simple as sitting under a coconut tree and counting your blessings. Three days later, back in Australia, I was driving through swirling willy willys enroute to Carnarvon Gorge in Queensland’s Capricorn region, wandering this remote and rugged country, discovering ancient First Nation’s art galleries and choppering over this gorgeous gorge. By the end of that month, I was back in the Whitsundays, sleeping out on the reef in a swag under the stars.

But it was in June when I became a bit lost. Overwhelmed by an already hectic year, and with another six months of travel ahead of me, I spent two days falling apart. I howled along with the wild westerly winds which buffeted Brisbane, drowning in the loneliness of my life and clasping for connection. A year of reflecting? I did plenty over those two days. Eventually I did the only thing I knew how. I wrote myself out of that hole and published a blog about the issue. Little did I know at the time it would go viral, resonating with friends, colleagues and strangers all over the world. I became acutely aware that loneliness had become one of the big issues of our time and that, strangely, I was not alone in my loneliness. I had launched a conversation that I wished to continue. Later that month I flew to Lombok, to interview villagers who had risen from the rubble of the earthquake a year earlier. As with the Fijians, the less people had, the more filled with gratitude they were for the small things. It made me rethink the excesses of my life.

Bali, Mauritius and Croatia beckoned in July and August as I criss-crossed the globe three times, in a manic marathon of work. In Croatia, I sat with people my own age, who had lived through the war of their homeland 25 years ago, and who wore harsh exteriors cloaking hearts of gold. I have never endured a war, and hope I never do, and again, there was so much reason to pause and think. Back in Australia in August, I was on the Southern Great Barrier Reef, urging tourism operators to do just that. Think about their stories and the story of the reef. In September, it was back to the Whitsundays for my third trip there this year, telling more stories of the reef.

I had the great fortune of visiting northern New South Wales in September before promptly jumping on a plane to Thailand in search of the rare pink dolphins. So elusive are these marine mammals, I didn’t encounter any on this trip, and it reminded me of the fragility of Mother Nature. It was something I would think more about in October when I travelled to Queensland’s wine country to write bushfire recovery stories in a town which had more wine than water. My last trip of the year took me to the Maldives, where again, the issue of Climate Change became impossible to ignore.

It’s Brisbane’s hottest December day in 20 years as I sit down to pen this blog, reflecting on the year that was. Bushfires have been raging in Australia for weeks, our water supplies are critical, and our air quality is appalling. And yet our governments do nothing. In a week or so I will pack my bags and board my final flight for the year, to a small island in Indonesia off of Bali, where I’ll perch in a beach shack, snorkel with the manta rays, take a surf class or two, stand up paddle board, kayak the mangroves, drink too much beer, indulge in massages and curl up with some travel tomes. And I reckon there will be some more reflecting in there too.

The Global Goddess would like to thank all of the PR people, tourism operators, colleagues, friends, family and random, kind strangers who came with me on this journey of 2019. May 2020 bring joy, love and peace for you and our planet.

A Taste of “Indigenuity”


IT’S a scorching summer Saturday and I am feasting on freshly-shucked Coffin Bay oysters adorned with a blue quandong jelly and flavoured with non-alcoholic lemon aspen beer. The scene is sizzling and so is the chef. It’s my first foray to Brisbane’s bustling Wandering Cooks precinct for emerging food enterprises. I’ve finished my travel for the year and today it’s my taste buds which are embarking on a journey, ambling way back into ancient Australian culture, but with a modern twist. I am here as a guest of inspiring Indigenous chef Chris Jordan, who is launching Three Little Birds.

Chris, 30, named his enterprise after the favourite song of his father, who died when this creative chef was just two. He remembers little of his dad, and is still learning about his culture, but it’s through native food that he’s diving deep, searching for his mob, his heritage, his home. This is a passionate young man on a mission. He’s already clocked up 15 years as a chef, working with fine dining restaurants and hotels throughout Australia and the UK. But since learning about his Indigenous ancestry, he has focused his work on native Australian ingredients and also studies Indigenous Philosophy at the University of South Australia. Eat that, critics.

Working with elder and celebrated chef Aunty Dale Chapman, Chris has designed a menu which focuses on the four elements of Indigenous culture including air (fermentation), fire (coals), water (seafood), and earth (foraged and native ingredients). His cooking style is based on the traditional Kup Murri: cooking over or in hot coals, and your mouth will revel in the flavours of ancient Australia here. Dishes are designed to be shared, black fella way, and on this delicious day my dining companion and I tuck into this tucker which includes Saltbaked Sweet Potato with native spiced vegan mayo and macadamia; and Native Sustainable Market Fish with lemon myrtle, yoghurt, seaweed and saltbush. There’s also a surprise dish of Scallops with black squid ink. You can practically taste the campfire. If only the ancients could see us now.

Even better, each course is paired with a non-alcoholic beer, brewed by Sobah, Australia’s first Indigenous non-alcoholic beer flavoured with bush tucker ingredients. We work our way through the menu of breezy brews: Lemon Aspen Pilsner; Finger Lime Cerveza; Pepperberry IPA; Davidson Plum Gluten Free Ale; and Boab & Wild Ginger Lager – which turns out to be my favourite for its freshness and fragrance. We finish this feast with a Wattle Seed & Mountain Pepper Brownie with coconut yoghurt and native jam. It’s a five-star feast adorned with First Nations’ flair.

“I strive to use the most local produce,” Chris says.
“By incorporating native and foraged ingredients into the menu, you’ll see how imperative the local Indigenous community is, as I utilise Indigenous seeds and grains sourced from Aunty Dale, who I have worked with for a number of years.
“I’m continuing to learn about my Indigenous heritage which encourages the creativity and style you’ll see among my menu.”
You’ll find mainly plant-based, native Australian food here and meat that has little to no impact on the environment. Seafood is sustainably sourced from a local fishery. Everything harks back to the eco-friendly way in which the first Australians treated the planet and her gifts. With reverence and respect.

“Indigenous knowledge has been like with many young First Nation People, lost in my family due to social and political issues,” Chris says.
“As I reconnect with my ancestry through education and experiences, I want to share that through food and create something that showcases Indigenous knowledge and native food personally.”
I sit here on this stifling Saturday and observe this chef at work. Beads of perspiration are blending with his passion. In a country where conservatives too often want to believe the worst of its oldest surviving culture, here is a young Indigenous man, standing in the cauldron, cooking up a different story. This is a time for dreaming and a new Dreamtime is dawning for ingenious Indigenous men such as Chris, and the mob at Sobah. And like Three Little Birds themselves, this chef is going to fly.

The Global Goddess was a guest of Three Little Birds. To experience this authentic cuisine and culture, head to Wandering Cooks https://wanderingcooks.com.au
Also check out the Three Little Birds website for other pop ups and catering https://3littlebirdsevents.com
For some great non-alcoholic beer with an Indigenous twist, check out Sobah https://sobah.com.au
Three Little Birds is also hosting a major food event at the Woodford Folk Festival on December 30 https://woodfordfolkfestival.com

A Collection of Camping Catastrophes


IT’S one week before summer officially strikes in Australia and I am sitting in my air-conditioned office, ruminating on the impending warmer weather and the sticky issue of camping. Apparently, people like to camp (and if you look at any Brisbane dating site, they not only like to camp, but 4WD, fish and go piggin’ as well). Me, not so much, but given the right circumstances, I’ll give it a red, hot shot. (The camping, not the piggin’). And by right circumstances, I mean a glamping tent with air-conditioning, bar fridge and, easy access to a toilet (preferably an ensuite). All of which I enjoyed a few weeks ago when I previewed Australia’s newest glamping product Hideaway at Cabarita Beach in northern New South Wales. Ensconced in my gorgeous, generous bell tent under a plump, crisp, linen doona, it felt like I was born for this camping caper. Until I remembered I am not.

It’s tricky to pick my worst camping adventure. There’s been quite a few. So let’s narrow it done to the coldest and the hottest. A few years back I was invited to cover the Mount Isa Rodeo, where, among other things, I interviewed the female boxer Beaver whose reputation for beating up blokes in the ring was legendary. Despite her size and status, Beaver turned out to be a gentle giant and she even made me a cup of tea. As much as I like to suffer for my art, I declined the offer to fight her later that night in the ring, as I value keeping my ribs intact. Had I actually fought Beaver, I may have spent the night in the cosy comfort of the Mount Isa Hospital, as opposed to the glamping in which I was staying.

Mount Isa in winter, like much of the Queensland Outback, is a curious beast. It’s hot during the day, and then plummets to freezing once the sun sets. But I came prepared, packing my hot water bottle Kevin 07 (who I named after former Prime Minister Kevin Rudd’s 2007 campaign). Or so I thought. The glamping was set up within a mining camp, those hot, horny miners happily tucked away in heated dongas. My tent, was, inexplicably, down by the creek, where the temperature dropped to one degree. I’d come home from my rodeo reporting, covered in dust, hand Kevin 07 to the camp’s toothless security guard with instructions to boil a kettle to fill Kevin’s guts, while I limped to the showers. The fact the showers had no doors, and the hot, horny miners were in the cubicle next to me, should not be lost on this story. And had I known just how cold it was going to get at night in my tent, I would have worked that fact a little harder. But alas, I rubbed and scrubbed only myself and then returned to collect Kevin.

It was so cold in that tent, that the cheap polyester blankets they’d given me would shoot off green sparks in the dark. But worse was when I realised that all of the water I had drunk throughout the hot day to stay hydrated, decided it was time to work its way through my kidneys at night. Years later, while travelling through Morocco with an Australian doctor, I learned that while our other organs slow down significantly at night to rest and repair, it’s when we go to sleep that our kidneys go into overdrive. Hence the reason you may need to pee during the night. Who knew?

It was way too cold, and too far, to drag myself to the toilet block, so I decided to improvise. With a tiny Tupperware container in which I had been carrying some sultanas for snacks. There I was, congratulating myself on my genital genius until I felt something wet and cold, on the only socks I had to keep me warm. I looked down in horror and realised I had peed on my foot. I tossed my warm urine and my wet sock outside the tent, and went to bed miserable. By this time Kevin was cold, I was cranky and even worse, I knew I had to repeat this camping caper all over again the next night.

My hottest camping episode, and I mean this in several senses of the word, was a few years back, when I went to the summer Woodford Festival on Queensland’s Sunshine Coast. This time I was in Tent City, in a media tent, which was just like every other tent, and again, there was no ensuite. On this occasion it was as hot as hell. And I did what any journalist covering this event would do, and drank as much beer as possible to keep all jolly and hydrated. I was even congratulating myself on how well I had done not going to the bathroom all day when again, I lay down later that night to go to sleep, when my kidneys went into overdrive.

Luckily, I remembered I had again packed a small Tupperware container with sultanas in the car, which I promptly emptied and carried back to my tent as my makeshift toilet. Which I proceeded to use over and over and over again as my kidneys decided to process the equivalent of a carton of beer on this hot evening. Again, I missed as I pissed, but there were no socks involved this time, it was too warm. So warm, in fact, I slept with the tent flaps open. Which would have been fine, had I not awoken the next morning to a tent which reeked of stale pee and a curious line of festival goers walking past my tent, gaping as they went. I looked down, only to discover that during my wild night, my left breast had escaped my singlet and there I was, arms akimbo, my bosom on display for the entire festival to see.

I packed up rapidly that morning. Headed back to Brisbane and vowed I needed a new tactic should I ever tackle camping again. And should you ever feel the need to go camping with me, if I ever offer you a sultana in a Tupperware container, you’ve been sufficiently warned.

A beautiful bite of Brisbane and all that Jazz


I AM sitting in Chicago, the musical not the city, back in my hometown of Brisbane after one of my busiest years of travel yet. Accompanying me on this joyous journey is my best friend from Grade One. For more than 40 years this gorgeous girl and I have been playing dress ups and today is no different. We are revelling in the rare rain which is doing the hot shoe shuffle on the rooftop of the Queensland Performing Arts Centre outside, while inside, we are toe tapping to this marvellous musical. In my seat, I secretly applaud the happiness of having long-term friends and the bliss of being home.

And there’s no better way to celebrate this delicious destination than the razzle dazzle of Chicago, the longest-running American musical in Broadway and West End history, now perched on the banks of the Brisbane River in the Lyric Theatre. The opening act is sleek and sultry and doesn’t disappoint with its trademark All That Jazz. If you know nothing else of this sassy story, you’ll recognise this tune which transports you back to the 1920s and tells the story of some ballsy broads. You’ll adore the humour and one-liners such as “In this town murder is a form of entertainment”; admire the sheer athleticism of the cast; and marvel at the magic they perform on such a tiny sliver of stage.

There’s no fancy costume changes, everyone wears black, allowing space for the brilliant voices to really shine. Another awesome addition to this show is the stadium-style band set up, smack bang centre stage, and with which the cast, and audience, are invited to interact throughout the performance. The cast is delightful, and Australian audiences will recognise a few favourites here such as Tom Burlinson, who plays Billy Flynn the lawyer and at one stage is flanked by fabulous feathers; and Natalie Bassingthwaighte who is charming, cheeky, cute and convincing as Roxie Hart. The lesser-known Alinta Chidzey is equally brilliant as Velma Kelly. But it’s Casey Donovan as Matron “Mama” Morton who steals the show with her voluptuous voice and commanding presence. The audience went ballistic for the bold, brave and beautiful Donovan and so will you.

Delightfully, the band plays the audience out of the theatre to another rendition of All That Jazz where outside we discover a sunny Saturday afternoon. We dissect the show, and life itself, as we amble along South Bank, under the silver metal archways draped in purple bougainvillea, which reminds me of the colour palette of the new suite we are sharing at Rydges South Bank. Late afternoon and we pause at Rydges Soleil Pool Bar for a cheeky cocktail. It’s an Aperol Spritz afternoon and we lounge on couches as comfortable as our friendship.

By early evening we are perched at Rydges Bacchus bar, sipping a sparkly, and admiring the upmarket retro vibe. From our white leather bar stools overlooking several booths, it’s a little bit Get Smart replete with an impressive shelf of liquor and a bar manager who takes the time to chat. But another juicy journey awaits and we repair to the Bacchus dining room where, perched in a commanding chair redolent of Alice in Wonderland I sit while we embark on another adventure – the Spring Degustation. We start with a salacious selection of oysters before eating in earnest – there’s bread and a selection of amuse bouche; a Celeriac with sesame, lemongrass and roast potato broth; and Sashimi boasting apple, cucumber and celery, with Japanese hongarebushi. Each course is paired with wine which we discuss with gusto with the passionate and professional sommelier.

We continue with a Fish Pillow of gnocchi, cannellini, vongole and cuttlefish, before experiencing our most delicious dish of the degustation – Darling Downs Wagyu, with spinalis, smoked eggplant and camel cheese. The meal inches towards the end with a cheeky Cheese with house made chutney and raisin bread with pumpkin and five spice; a brilliant Blueberry unlike any other served with cake and zabaione; Coconut on the Beach with lime and butterscotch; and Petit Fours to finish. This degustation is like our friendship itself, long, surprising, delicious and delightful.

Sated, we repair to our room, this refurbished corner suite part of more than $30 million Rydges South Bank has invested into redesigning all of its rooms. There’s a desk and kitchenette for business travellers, plus a large l-shaped couch in the lounge room replete with huge television. The bedroom boasts a king-sized bed, another large television, and ensuite with shower and elegant egg-shaped bath. Rydges South Bank is the most perfect perch anywhere in Brisbane should you wish to catch a show. Its understated elegance works well for the laidback Queensland capital and for which this heavenly hotel has recently earned its position in the latest Queensland Hotels Association Awards Hall of Fame for Best Superior Accommodation. Rydges South Bank also received the Workplace Health & Safety Award and Guest Experience Supervisor Kait Einam was named Guest Services Employee of the Year. Not surprisingly, Bacchus was awarded Best Prestige Restaurant for the second year in a row.

It’s late at night and I stand on the breezy balcony of my ninth floor suite, from which I can see South Bank from one side, and Mt Coot-tha on the other. The Wheel of Brisbane is lit up like the full moon and the city lights across the river blink back at me, reminding me to savour salacious days such as these. Those rare moments in time when you have time to catch a show, snatch a slow wander, dive into deep chats, feast on a luscious dinner, and indulge in the luxury of retreating to a hotel suite to sleep. And to celebrate a city and friendship, which has stood the test of time…and all that jazz.

Rydges South Bank has launched a CHICAGO package which is available for stays from today, November 5, through to December 1 this year. The package, which starts from $550 includes:
Overnight accommodation in a luxurious guest room
Two A Reserve Tickets (evening performance) on arrival night
Valet car parking for one vehicle
Buffet Breakfast for two in Bacchus Restaurant
An official CHICAGO Show program
A CHICAGO themed gift on arrival

The Global Goddess was a guest of QPAC and Rydges South Bank – www. https://www.rydges.com/accommodation/brisbane-qld/brisbane-south-bank/
Photos courtesy of Rydges South Bank and QPAC.
Keep your eye out for upcoming shows and packages including Cirque du Soleil’s KURIOS which opens in Brisbnae on January 10. And if you eat nowhere else in this lifetime, dine at Bacchus. One of my most memorable meals anywhere in the world.

Rydges Hotel South Brisbane

Flight Review: Air Asia Brisbane to Bangkok


JUST like a dish you’d create in a Thai cooking class, travelling on the new Brisbane to Bangkok Air Asia route is a blend of the five ingredients essential to this nation’s cuisine: sweet, spicy, salty, sour and bitter. Last week I flew this new route, which was launched mid year, to Thailand. I hadn’t travelled with Air Asia for a decade, more by default, than design, the majority of its direct flights previously operating out of the Gold Coast rather than the Queensland capital. As a Brisbane resident, who has seen airlines soar and plummet out of BNE over the years, I really wanted to like this airline. It was like going on a first date, where you’re secretly willing it to work. But, unfortunately, it fell short of the mark.

The Sweet
Check-in at Brisbane International Airport is prompt, polite and professional. On board, the all-Thai staff greet me in Thai, their hands poised in prayer position. Even better, I have an entire row to myself for this nine-hour direct leg. On both legs the Thai crew are super vigilant about safety, on take-off and landing walking through the cabin and checking and triple checking every safety detail such as fastened seat belts.

The Spicy
The cost of this return flight is extremely competitive, coming in at around $500 which is about half that of a full-service carrier. For an additional $400 from Brisbane you can upgrade to a Premium seat which reclines into a flat bed. For those who don’t want to pay the extra $400, but want peace and quiet in economy, there’s also a Quiet Zone towards the front of the plane, which costs an extra $15 and is well worth it.

The Salty
The word “salty” has crept into the Australian vernacular as a term you used when you are annoyed. On this flight this emotion arose from time-to-time. Inexplicably, on the day flight out of Brisbane, crew in the Quiet Zone insist that every passenger close their window shades for the entire flight, so that the cabin is plunged into darkness for nine hours. Even more bizarrely, on the midnight flight home, there is no such insistence, so several hours after take-off, once the sun starts rising in the southern hemisphere, the cabin is flooded with light as you try to sleep. More annoyingly, despite it being deemed a Quiet Zone, the crew did nothing to police the noise of the rowdy boys in the last row of the cabin who decided to share their entertainment device…without headphones. Speaking of entertainment devices, despite this airline being up and running for months now, there are still no devices, nor an entertainment App you can download on this route. I was advised to “bring a good book”.

The Sour
An airline which makes its money from extras such as food and drinks but rapidly runs out of both? Unbelievable. There were only two drink and food runs on this nine-hour flight and while you can pre-book meals, many people don’t. By the second run they were out of white wine plus numerous other meals including their signature hamburger dish they tout on the front of their menu. An ordinary-tasting Australian wine on this route costs $12. There are, strangely, no breakfast items on the menu and so, at 9am Brisbane time (6am local time) I am served a meal of roast chicken in black pepper sauce. Except it looks nothing like that which is presented on the menu. And no, you don’t get real cutlery as the photo suggests either.

Roast chicken in black pepper sauce, according to the menu


Roast chicken in black pepper sauce, the reality


The Bitter
I am not an entitled passenger who moves seats without seeking permission from the cabin crew first. On this flight, there were copious rows available in the Quiet Zone for the midnight flight home, so I asked a member of the crew before take-off whether I could move specifically to the back row. She said yes. We took off, the seat belt sign went off, I put on my eye mask, covered myself with my cashmere wrap and proceeded to snatch some much-needed sleep after this work trip. A few minutes later I was being shaken awake by a member of the cabin crew. She told me this was now a “crew rest” area and I needed to move. She accused me of not asking permission to move to this seat. I assured her I had. She left, and was replaced by a second, and then third member of the cabin crew, who all tried to tell me this seat was now reserved for crew rest. Finally, the crew member who originally told me I could have the seat arrived. She admitted she had “made a mistake”. Eventually she acquiesced and told me I could keep the seat. A colleague travelling in the same cabin commented that the crew took out another three entire rows for “rest” but barely used them. When I awoke in the morning I noticed the tray tables were filthy. So filthy I wondered whether this was dirt that was actually a stain which couldn’t be removed. I tested the dirt with my make-up remover wipes. It was easily removed.

The Verdict
Brisbane travellers who are solely price driven may wish to consider this airline but take your own food, entertainment and some antibacterial wipes to clean the seat. For those flyers who want more Bangkok for their buck, this may not be the airline for you.

The Global Goddess travelled as a guest of Air Asia http://www.airasia.com She made several attempts to source basic information from the airline for this review but received no response.

Home and Away


“Out on the patio, we sit, and the humidity, we breathe. We watch the lightening, crack over cane fields, and laugh and think, this is Australia…” Gang Gajang
IT’S more rooftop terrace, than patio, the humidity has conceded to a ballsy bay breeze, there’s fireworks, rather than lightening, and the cane fields sit a bit further north. Australia Day, 2019, and I’m plonked on the rooftop of the sassy Sebel Margate overlooking Moreton Bay, perched on a bar stool, clutching a crisp Aussie white, and spinning a bit of bullshit with two mates. A cheeky breeze has whipped the white caps into a minor celebrity frenzy, while along the bay, Aussies have hoisted makeshift tents adorned with Southern Cross flags. One bloke has even settled in for a long day of drinking by dragging his tattered, brown leather loungeroom recliner chair, and planting it along the boardwalk. You’ve got to admire that sort of commitment.

I’m 45 minutes north-east of Brisbane, celebrating our January 26 national day in style, in this bayside suburb which harks back to a more serene Australia. One of seagulls, sand and simplicity. The prevailing hot northerly has blown in both blue bottles and bare bums, festooned with our controversial Union Jack/Southern Cross combo. Down on the street, there’s even a rare telephone booth. Out on the blustery bay itself, a fleet of sailing boats is leaning a bit too far to the right, reminding me a bit of Australia these days. Some days you just have to wait to tack.

From my lofty perch on the fourth floor, I spy a luxury cruise liner slowly stalking Moreton Island on the horizon. It’s the same bay which lured my great, great grandfather Christian to sail from Hamburg aboard the Susanne Godeffroy in 1863, in search of a better life. Five generations later, I still carry his surname, and in my wildest dreams, when I’m out in the world as a travel writer, I like to think I’ve also inherited some of his pluck. The Australia Day weekend is the unofficial marker for Aussies to seriously return to work and school, and soon enough, I too will be setting sail again in search of stories. But on this day, I’m content in my chair on the rooftop where a barbecue sizzles along with the conversation. How lucky are we to be born in Australia? Even better, in south-east Queensland, with beautiful bays and boutique hotels to boot?

The $15 million Sebel Brisbane Margate Beach, opened in May last year, is a lovely addition to this seaside scene. I am fortunate on this busy summer weekend to have secured a king-suite in this 58-room hotel, which eschews a beachy interior in favour of industrial chic with its exposed brick walls, brass, and cow hide leather couches. There’s even free retro bicycles for guests to borrow and cycle along the esplanade here. Dine at the Margate Beach House on the ground floor and you’ll experience the creativity of two-hatted chef Michael Harris, whose career launched at the flagship London hotel, the Dorchester. Overlook the bay and feast on local Queensland produce such as Smoked King Ora salmon and Fraser Island Crab cannelloni; Darling Downs Wagyu; and Mango and Passionfruit cheese cake.

Sated, plonk yourself by the rooftop pool and watch lazy bay days unfold. And that’s what this bay, and the Sebel Margate, is all about. This is no glamorous Gold Coast, nor is it the sizzling Sunshine Coast. Rather, this darling destination transports you back to an Australia you might remember, one of sandcastles and sun-kissed sleeps. Late at night I sit on my oceanfront balcony and look out at the Southern Cross sky. I don’t need these five stars tattooed on my skin, as they’re deeply etched in my soul. I had just forgotten, for a brief moment in my busy life, where to find them.
The Global Goddess stayed as a guest of The Sebel Brisbane Margate Beach. https://www.accorhotels.com/gb/hotel-B2R3-the-sebel-brisbane-margate-beach-/index.shtml

Take this retro ride across the South Pacific


THE waves are whispering off the reef, but in my half-awake/half-asleep daytime slumber, I can’t quite catch what it is they are saying. I am snatching a languid nap on the veranda day bed, listening to this seaside lullaby and the resort staff singing as they work. I have flown, overnight, on the new Samoa Airways’ Brisbane-Apia route and on the only plane it its fleet, a 737-800. The airline launched last year to replace the former national carrier, Polynesian Airlines, which ceased flying in 2005, due to financial issues.

On board, the baby blue vinyl seats remind me of the interior an old FJ Holden and the seat belts are just as tricky to buckle as well. There’s no seat 13 on this plane, and in 14F on the flight over, apparently no button to recline my seat either, despite it not being in an exit aisle. The seat pitch itself is generous, with plenty of leg room, with some saying it’s a deliberate move to accommodate for the typically larger frames of Samoans. I don’t eat on the late overnight flight, instead preferring to lay across the three seats available on this leg, but despite having my eye mask on and my pashmina over my body, am shaken awake by a male steward, asking whether I want the “beef or chicken”.

I arrive in the Samoan capital of Apia just as the sun rises and am transported across the island to Seabreeze Resort in the south. This adults-only resort is a consistent award-winner, and it’s easy to see why. Owned by Australians Chris and Wendy Booth, there’s just 12 rooms all overlooking the ocean and where the staff and service are immaculate. Over lunch, I ask Wendy whether Samoa possesses a masculine or feminine energy, and she doesn’t hesitate with her response.
“It’s got a masculine energy. Everyone looks to the father of the family,” she says.
“The mother plays a very important role in Samoa but she’s quite happy to be in the background. The women are very powerful people in Samoa.
“The men are the fathers of the family but if someone wrongs you, the father will defend your honour.
“It is an interesting society and interesting in the village. Everyone shares the upbringing of the children. It works because everybody has something to give.
“There is no ownership in Samoa. The biggest belief they have is what goes around, comes around.”

There are 2000 people in the local Aufaga village and I have the incredible privilege of meeting some of them. I attend the local school, a make-shift affair for around 200 kids while their old school is being rebuilt, and there’s a sea of pink and green uniformed faces waiting for me. Turns out they have been practising their dance moves and singing all week. The boys do the haka and the girls perform a kind of hip hop hula. I am invited to repay the compliment and shake a leg, and the kids are in hysterics. This “palagi” (white girl) can’t dance.

I visit a village family who have cooked me an entire chicken as a gift that I share with a colleague, and watch as they roast a pig underground in a traditional umu, covered in leaves. They’ve done this just for us, and it’s delicious. I’m touched beyond words. For people who have so little to give, they have shared this feast with me.

My week unfolds like the daily tropical storms. I walk through steamy jungle foliage to visit gushing waterfalls, I swim, kayak and snorkel in the lukewarm ocean, and on my last day, a Sunday, I go to church. Some of the village kids remember me, smile, wave and sing out “hi Chris” like we’re old friends. There’s a pesky lump in my throat which turns to tears when the Samoans start to sing church hymns.

Oe my last night, I check into the Honeymoon Villa, which sits on its own private point overlooking the ocean. There’s a luscious lobster with my name on it and I dine, alone, under the stars. I have lounged on plump day beds and enjoyed a facial replete with local ingredients such a cucumber, honey, lime and banana. Later, when the moon rises, I snatch a sneaky skinny dip in my private plunge pool under the night sky. There’s a stingray, sashaying through the shallows. I search for the spiritual meaning of stingray. It means protection. I look out to the ocean and silently thank Brother Samoa for looking after me on my journey across the South Pacific.

On the Samoa Airways flight home, in seat 26A, my tray table is so damaged, I cannot actually eat my food from it, as it slides right off, and I note one of the drop-down screens which displays the safety message doesn’t deploy. For a short-haul flight, and boasting some great launch specials, it’s a good option from Australia’s east coast, but don’t expect any frills. The inflight entertainment is via wifi and you don’t need to download an App beforehand. There’s a reasonable selection of movies, TV shows and games to keep you entertained on this flight which is about five-hours long. The food and beverage is also retro…there’s the beef or chicken… but despite my initial scepticism about the chicken dish, it turns out to be tasty. Alcoholic beverages are extra, and you must pay in cash, but the full glass of red wine was good value for $5.

Back in Brisbane, my luggage arrives promptly, but when I open my case back home, all of my clothes inside are soaked, despite there being no rain in Apia when I leave, or Brisbane when I arrive. With only one plane in its fleet, Samoa Airways is taking a huge punt should anything go wrong on its routes which include Sydney, Auckland, Pago Pago, Apia and Brisbane. But the airline does have plans to introduce a second plane in March next year, and an agreement with Qantas and Fiji Airways to assist should the plane not work for any reason. I really wanted to like Samoa Airways, and overall, if you are looking for a retro ride that will get you across the South Pacific, for a competitive price, and pleasant and professional staff, consider this airline. With a few tweaks, and more attention to detail, this airline could make the Samoans proud of once again, having a national carrier.

The Global Goddess flew as a guest of Samoa Airways https://samoaairways.com and stayed as a guest of Seabreeze Resort http://www.seabreezesamoa.com
The children at Aufaga Village school desperately need reading and other school material. You can donate these to Seabreeze Resort and one of the staff, who lives in this village, will ensure they are delivered.

Something Old, Something New


A FLIRTATIOUS French fellow is pouring a sexy shiraz from a pleasingly phallic stem, while explaining the sex muscle of a cow. I am dining in one of Brisbane’s oldest riverside restaurants, revisiting the classy classic that is Cha Cha Char…and my tastebuds are ready to rumba. While Cedric, the restaurant’s General Manager is ensuring I am well libated, it’s the steak here that really does the talking.

Brisbane’s beef baron John Kilroy opened Cha Cha Char 21 years ago after working in country pubs and vowing to “never sell a steak again in my life.” These days you’ll find every steak imaginable on his restaurant from the Wagyu Rump Cap which has been grain fed for 300-plus days; the Rib Fillet Black Onyx Angus aged 30 to 36 months and grain fed for 270-plus days; to the T-Bone Angus Yearling aged 12 to 18 months and grass fed. This is a man who knows his meat. When he’s not in the restaurant, he’s out mustering with mates “for fun”.

Kilroy, as he is known about town, was the first to introduce Wagyu to a sceptical Brisbane dining public who hadn’t yet cottoned on to the idea of marbelling in their beef. Now, he is about to tantalise the city’s taste buds with the introduction of a new cut, the French Blonde D’Aquitaine beef, to his menu. There’s also the new light dishes, tapas if you will, of the Oyster Carpet Bag bao bun with Wagyu striploin, oyster and bernaise sauce; and the Bugs BBQ served in brioche roll filled with Blonde D’Aquitaine steak tartar.

Not content to rest on its laurels, Cha Cha Char will soon transform the private dining room in which we are sitting into a Wagyu bar.
It appears there is not rest for the wicked for this country boy who once couldn’t read and was assisted in gaining his first job by Flo Bjelke-Petersen who helped him secure a role as a Main Roads surveyor…despite Kilroy having no surveying skills.
By his own admission, Kilroy has lost and made millions of dollars over the years, but for him, success all comes back to the customer.
“I can take a piece of meat in this town and make it tender just by the way it is cooked,” he says.
“Owning restaurants is not just how much money you have in the bank. You get to know people.
“I get to travel the world in people’s big boats and jets and planes. You never know who you are going to meet in there.”

Kilroy admits Brisbane palettes have come a long way “everyone knows Wagyu now” and has moved on from the days when calamari was used for fishing bait.
“We didn’t used to eat these things in Australia but people are eating anything now. A lot of this has to do with travel,” he says.
“There is passion in this restaurant. I can put a plate of food in front of you and in 30 seconds I know if you are disappointed or not.
“We’re just dishwashers listening to people. It is a very rewarding business.”

Along George Street, the Queensland capital has just opened its doors on new Indian restaurant Heritij in the new Brisbane Quarter. In this cavernous space, overlooking the Brisbane River towards South Bank, there’s dining for 210 people including private spaces such as The Library, Cellar Room and Passage, each accompanied by their own inspirational quote outside. I am feasting at the Captain’s Table, inspired by the quote “Around my table we make the big decisions, we solve the world’s problems, yet never lose sight of the deck or horizon.” It’s a fitting tribute to a city whose dining scene is on fire.

Outside, on the deck, it’s all breezy, blue cushions and river views, accompanied by a chic bar set up, while inside, it’s plush royal colours…purples, turmerics, navy blues, emerald greens, reminiscent of a Maharaja’s palace. The food here is fit for a king, with the pungent scent of the smoky tandoor wafting through this beautiful, big space, punctuated by voluminous, brick columns. While Michelin-star Chef Mural and his talented team weave their magic with the likes of chicken thigh, Thai basil, mint, rhubarb, zucchini, pineapple and kasundi from the tandoor, he pays homage to his homeland with his curries such as Kashmiri lamb, Goan fish, chicken Makhna, spinach kofta, black lentil dahl and vegetable masala.
“Indian food is incomplete without curries,” Chef Mural says.
“I don’t want everyone to be disappointed if there is no curry served in my restaurant. We used to serve this food in the home.
“Kofta is very close to my heart. My mother used to make this.”

Back over at Cha Cha Char, I ask Kilroy, the self-made man who has lost and made millions over the years, what he would do if it all went belly up.
“I’d go to Europe and buy a little restaurant on the beach,” he says.
“To me, it’s all about the people.”
We’re a bit like that in Brisbane.

The Global Goddess dined as a guest of Cha Cha Char – http://www.chachachar.com.au; and Heritij – https://heritij.com.au

Be Flown Away By Etihad Airways


IT’S 3am at my present position on the world map, perched 40,000 feet somewhere above the Indian sub-continent. And I am sipping on Moroccan mint tea, replete with real mint leaves served on the side, and chewing on a sweet, sticky baklava. While the rest of the cabin still slumbers, I am dining at my own leisure, courtesy of Etihad Airways “Dine Anytime” menu. There’s about two hours left to go on this 14-hour flight from Australia, but this particular journey feels neither long, nor a haul. For I have the great fortune of flying in Etihad’s next-generation Business Studios. And yes, they are as sweet as the baklava upon which I am feasting.

I have boarded the B787 aircraft in Brisbane the previous night, bound for Abu Dhabi and am greeted with mystical Middle Eastern music. Inside, it’s part gentleman’s club, part plush Arabian tent with soft lighting and gold trimmings. The seats, said to provide 20 per cent more space than the airline’s current Business Class seat, are designed in a 1-2-1 forward and backwards “dovetail” configuration. With sliding screens between seats, it feels more private jet than commercial airline.

The Studio features its own steady, large solid table, ideal on which to work inflight, but unlike some other airlines, there is no free Wi-Fi. Depending on your point-of-view, this could be an enforced digital detox, or you can pay a nominal fee to stay connected. For those who wish to relax, there’s an 18-inch touch-screen TV. For those who wish to work, there’s power sockets and USB ports at every seat.

What sets this airline apart from many others is its superior service. At the Business Traveller Middle East Awards 2018, Etihad Airways was named “Airline with the Best Economy Class”; “Airline with the Best Frequent Flyer Programme” and “Airline with the Best First Class”, and it’s easy to see why. Hot towels are not clumsily handed to you with tongs, but served on individual silver platters, before you are presented with a glass of signature champagne – Piper-Heidsieck Cuvee Brut. International newspapers are delivered and from the “Dine Anytime” menu you can select from the likes of a steak sandwich, lamb and rosemary pie or a Gruyere cheese frittata. There is also a diverse a-la-carte menu from which to choose, boasting western and Middle Eastern starters such Arabic mezze; mains of chicken kasba and basmati rice cooked with Gulf spices; and deserts of chocolate lava cake served warm with pistachio anglaise. Sip on a New Zealand sauvignon blanc or South African chenin blanc, or for red lovers, a Barossa Valley shiraz or Chilean maipo. The beer selection includes Stella Artois and Peroni.

Sated, rummage through your Business Class amenity kit to apply your Scaramouche + Fandango facial moisturiser and lip balm, before donning a plush, large eye mask and ear plugs. The airline has collaborated on its amenity kits with luxury travel brand LUXE City Guides which are inspired by five cities on the Etihad network – Abu Dhabi, New York, Melbourne, Rome and Bangkok. There’s even a city guide in each kit, but it’s a slightly curious addition to be given a Rome city guide when you are flying to Abu Dhabi.

The seats recline to 6-foot, 8-inch fully flat-beds and the pillows are plump and a decent size, adorned in all the colours of the desert to which you are flying with browns, tans, ochres and golds. The doona has a gorgeous plush underside. All of this ensures you’ll arrive at the other end as fresh as possible. And I do. In the rare event you don’t, there’s even an Arrivals Lounge at Abu Dhabi Airport where staff will press your clothes while you shower and shave.

Leaving Abu Dhabi is even more spectacular, as this is their signature airline. At Abu Dhabi Airport, First and Business Class guests have their own private entrance and there’s even free porters to assist you with your bags, as well as private check-in. Both First and eligible Business Class guests also have access to a free chauffeur service within the UAE and upon arrival at the airport, both classes boast day spas in their lounges. While First Class guests can enjoy a complimentary spa treatment, Business Class guests pay a nominal fee for a treatment such as a Jet Lag massage, which is a welcome addition before a long flight.

2018 has been declared the Year of Zayed, celebrating 100 years since the birth of Sheikh Zayed, the Founding Father of the UAE. And Etihad is devoted to honouring Zayed’s core values of respect; wisdom; sustainability; and human development. The airline is offering complimentary cargo flights to UAE charities, bringing aid and relief to people in need around the world in a bid to spread Zayed’s humanitarian message. At the same time, 1000 selected guests from around the world are being invited to experience Abu Dhabi’s cultural attractions; and Etihad is also collaborating on the Abu Dhabi Birdathon, a race which celebrate’s Zayed’s passion for conservation. Etihad is also renaming its training buildings the Zayed Campus and launching Young Aviators in a bid to inspire the next generation in the UAE. If you can judge a country by its flagship carrier, then Abu Dhabi is in great shape indeed.

The Global Goddess flew to Abu Dhabi as a guest of Etihad Airlines in one of their world-class Business Studios http://www.etihad.com/en-au/
She stayed as a guest of Abu Dhabi Tourism https://visitabudhabi.ae/au-en/default.aspx

1000 reasons to follow me on Instagram


JUST like this camel caravan I captured in the Sahara Desert, I’ve been working hard to attract more followers. For the past year, I’ve posted a photo a day on Instagram and recently hit my first 1000 followers. I’ve also posted more than 1000 photos, so that’s at least 1000 reasons to follow me. Here’s a selection of my most popular pics, taken from my global travels over the past six months, and published under my Instagram handle @aglobalgoddess. I’d love to see you over there.




From the desert dust to the brilliant blues of Chefchaouen, Morocco served up a kaleidoscope of colour and charm.




Indonesia’s beautiful Bawah Island gave me the blues, in the best possible way.




Finland’s Lapland was all white and all right.




Back home, the Aussie summer served up its bushfire orange sunsets and aqua beach days.




While on my first trip to Japan last month, it was better to be red, than dead.
Follow me on Instagram @aglobalgoddess