2019, A Year of Reflecting


A fronte praecipitium, a tergo lupi. Alis volat propiis. In front is a precipice, behind are wolves. She flies with her own wings.

NUMEROUS numerologists will tell you 2019 is an “ending year”. In my spiritual circles of yogis and meditators, they’ll tell you it’s the year you’ll wrap up your “soul agreements” with people, places or circumstances which no longer serve your higher good. For me, 2019 was a year of reflecting after a demanding decade which saw me flee to Singapore in 2010 after the sudden end of my marriage, and ultimately return home to Australia to rebuild my life.

For me, 2019 began with a bang more than a whimper. By early February I was in the Whitsundays, braving a rugged monsoonal trough of wild winds, stinging rains and savage seas, while trying to write a newspaper cover feature on the region’s recovery from Cyclone Debbie which had ravaged it two years earlier. Drenched, I groaned and giggled at the irony of my situation, the less-than-glamorous side of travel writing, and embraced the cheeky campaign adopted by tourism operators, who laughed at their soggy circumstances by renaming it a WetSunday Week. I learned a lot that week about going with the flow.

Two weeks later, on a sassy Southampton evening, I was on board the world’s newest cruise liner, the MSC Bellisima, sailing from France to England. All the while, stalking acclaimed Italian actress Sophia Loren, the ship’s godmother, who was onboard briefly. Because I am such a klutz, I even managed on that ship, stacked with glamorous European media, to lock myself out of my cabin while wearing nothing but my QANTAS pyjamas. Which wouldn’t have been so bad had I not had to stroll through the centre of a posh cocktail party to reception in my jim jams, bra-less and barefoot, to retrieve another key to my cabin.

March found me Noosa, just enough time to catch my breath before I flew to Kenya where I’d go on safari through the Masai Mara and sit in the shadow of mighty Mount Kilimanjaro. But it was meeting Mother Africa’s daughters, at the Ubuntu Café, which really caused me to pause and think. Here were a bunch of women who been made outcast by their communities for giving birth to disabled children. But they had clawed their way back from poverty and isolation, started a café, learned to sew, and were now stitching together a better life for themselves, their children and other women in their situation. It was the soul and spirit of these women that I took with me when I snatched a brief break to celebrate Easter in April, alone and ensconced in a surf shack at Agnes Water on the Southern Great Barrier Reef.

By May I was in Fiji, surrounded by the scent of frangipani flowers and the fat smiles of skinny kids, as I cycled through fields of sugar cane and snorkelled balmy oceans. We talked of conservation, and real-life castaways over on Castaway Island. I adore Australia’s South Pacific cousins, who always teach me so much about gratitude. Some days life is as simple as sitting under a coconut tree and counting your blessings. Three days later, back in Australia, I was driving through swirling willy willys enroute to Carnarvon Gorge in Queensland’s Capricorn region, wandering this remote and rugged country, discovering ancient First Nation’s art galleries and choppering over this gorgeous gorge. By the end of that month, I was back in the Whitsundays, sleeping out on the reef in a swag under the stars.

But it was in June when I became a bit lost. Overwhelmed by an already hectic year, and with another six months of travel ahead of me, I spent two days falling apart. I howled along with the wild westerly winds which buffeted Brisbane, drowning in the loneliness of my life and clasping for connection. A year of reflecting? I did plenty over those two days. Eventually I did the only thing I knew how. I wrote myself out of that hole and published a blog about the issue. Little did I know at the time it would go viral, resonating with friends, colleagues and strangers all over the world. I became acutely aware that loneliness had become one of the big issues of our time and that, strangely, I was not alone in my loneliness. I had launched a conversation that I wished to continue. Later that month I flew to Lombok, to interview villagers who had risen from the rubble of the earthquake a year earlier. As with the Fijians, the less people had, the more filled with gratitude they were for the small things. It made me rethink the excesses of my life.

Bali, Mauritius and Croatia beckoned in July and August as I criss-crossed the globe three times, in a manic marathon of work. In Croatia, I sat with people my own age, who had lived through the war of their homeland 25 years ago, and who wore harsh exteriors cloaking hearts of gold. I have never endured a war, and hope I never do, and again, there was so much reason to pause and think. Back in Australia in August, I was on the Southern Great Barrier Reef, urging tourism operators to do just that. Think about their stories and the story of the reef. In September, it was back to the Whitsundays for my third trip there this year, telling more stories of the reef.

I had the great fortune of visiting northern New South Wales in September before promptly jumping on a plane to Thailand in search of the rare pink dolphins. So elusive are these marine mammals, I didn’t encounter any on this trip, and it reminded me of the fragility of Mother Nature. It was something I would think more about in October when I travelled to Queensland’s wine country to write bushfire recovery stories in a town which had more wine than water. My last trip of the year took me to the Maldives, where again, the issue of Climate Change became impossible to ignore.

It’s Brisbane’s hottest December day in 20 years as I sit down to pen this blog, reflecting on the year that was. Bushfires have been raging in Australia for weeks, our water supplies are critical, and our air quality is appalling. And yet our governments do nothing. In a week or so I will pack my bags and board my final flight for the year, to a small island in Indonesia off of Bali, where I’ll perch in a beach shack, snorkel with the manta rays, take a surf class or two, stand up paddle board, kayak the mangroves, drink too much beer, indulge in massages and curl up with some travel tomes. And I reckon there will be some more reflecting in there too.

The Global Goddess would like to thank all of the PR people, tourism operators, colleagues, friends, family and random, kind strangers who came with me on this journey of 2019. May 2020 bring joy, love and peace for you and our planet.

A Taste of “Indigenuity”


IT’S a scorching summer Saturday and I am feasting on freshly-shucked Coffin Bay oysters adorned with a blue quandong jelly and flavoured with non-alcoholic lemon aspen beer. The scene is sizzling and so is the chef. It’s my first foray to Brisbane’s bustling Wandering Cooks precinct for emerging food enterprises. I’ve finished my travel for the year and today it’s my taste buds which are embarking on a journey, ambling way back into ancient Australian culture, but with a modern twist. I am here as a guest of inspiring Indigenous chef Chris Jordan, who is launching Three Little Birds.

Chris, 30, named his enterprise after the favourite song of his father, who died when this creative chef was just two. He remembers little of his dad, and is still learning about his culture, but it’s through native food that he’s diving deep, searching for his mob, his heritage, his home. This is a passionate young man on a mission. He’s already clocked up 15 years as a chef, working with fine dining restaurants and hotels throughout Australia and the UK. But since learning about his Indigenous ancestry, he has focused his work on native Australian ingredients and also studies Indigenous Philosophy at the University of South Australia. Eat that, critics.

Working with elder and celebrated chef Aunty Dale Chapman, Chris has designed a menu which focuses on the four elements of Indigenous culture including air (fermentation), fire (coals), water (seafood), and earth (foraged and native ingredients). His cooking style is based on the traditional Kup Murri: cooking over or in hot coals, and your mouth will revel in the flavours of ancient Australia here. Dishes are designed to be shared, black fella way, and on this delicious day my dining companion and I tuck into this tucker which includes Saltbaked Sweet Potato with native spiced vegan mayo and macadamia; and Native Sustainable Market Fish with lemon myrtle, yoghurt, seaweed and saltbush. There’s also a surprise dish of Scallops with black squid ink. You can practically taste the campfire. If only the ancients could see us now.

Even better, each course is paired with a non-alcoholic beer, brewed by Sobah, Australia’s first Indigenous non-alcoholic beer flavoured with bush tucker ingredients. We work our way through the menu of breezy brews: Lemon Aspen Pilsner; Finger Lime Cerveza; Pepperberry IPA; Davidson Plum Gluten Free Ale; and Boab & Wild Ginger Lager – which turns out to be my favourite for its freshness and fragrance. We finish this feast with a Wattle Seed & Mountain Pepper Brownie with coconut yoghurt and native jam. It’s a five-star feast adorned with First Nations’ flair.

“I strive to use the most local produce,” Chris says.
“By incorporating native and foraged ingredients into the menu, you’ll see how imperative the local Indigenous community is, as I utilise Indigenous seeds and grains sourced from Aunty Dale, who I have worked with for a number of years.
“I’m continuing to learn about my Indigenous heritage which encourages the creativity and style you’ll see among my menu.”
You’ll find mainly plant-based, native Australian food here and meat that has little to no impact on the environment. Seafood is sustainably sourced from a local fishery. Everything harks back to the eco-friendly way in which the first Australians treated the planet and her gifts. With reverence and respect.

“Indigenous knowledge has been like with many young First Nation People, lost in my family due to social and political issues,” Chris says.
“As I reconnect with my ancestry through education and experiences, I want to share that through food and create something that showcases Indigenous knowledge and native food personally.”
I sit here on this stifling Saturday and observe this chef at work. Beads of perspiration are blending with his passion. In a country where conservatives too often want to believe the worst of its oldest surviving culture, here is a young Indigenous man, standing in the cauldron, cooking up a different story. This is a time for dreaming and a new Dreamtime is dawning for ingenious Indigenous men such as Chris, and the mob at Sobah. And like Three Little Birds themselves, this chef is going to fly.

The Global Goddess was a guest of Three Little Birds. To experience this authentic cuisine and culture, head to Wandering Cooks https://wanderingcooks.com.au
Also check out the Three Little Birds website for other pop ups and catering https://3littlebirdsevents.com
For some great non-alcoholic beer with an Indigenous twist, check out Sobah https://sobah.com.au
Three Little Birds is also hosting a major food event at the Woodford Folk Festival on December 30 https://woodfordfolkfestival.com