First World Problems

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ISN’T it ironic, don’t you think? Yes, a little too ironic that the day I am meant to be reviewing a show called First World White Girls, every imaginable First World problem rears its ugly head. I wake up from a delectable deep sleep courtesy of last night’s meditation class (First World White Girls love yoga and meditation) and wonder what the universe has in store for me this day. Like other First World White Girls around the planet, I reach over in bed for my MacBook Air (you don’t expect me to sleep with a PC, do you?) and switch it on, only to find one of those mosquito bite emails that is going to itch all day. I sigh, and go and make my Vietnamese coffee (I’d rather DIE than drink instant), check a few more emails, and get ready for my yoga class.

Photo by Nick Morrissey

Photo by Nick Morrissey


There’s a green tea (First World White Girls adore green tea) and avocado on Ryvita before I have to head to a GP appointment in my air-conditioned car (I mean, really, who can live without aircon?). But wouldn’t you know it, I have to wait a whole 30 minutes in the doctor’s surgery (OK, it was on a comfy seat, with a flat screen TV, my iPhone and magazines to keep me company). I get free blood tests and pay $75 for my appointment, of which I will receive $37 back on Medicare (You mean I have to PAY something for great health care). My female doctor (yes, a woman) pens a string of scripts for other things, like valium, which are designed to make my White Girl First World more bearable.
Photo by Nick Morrissey

Photo by Nick Morrissey


I head off to lunch – sushi of course – with a gay male friend (First World White Girls always have gay male friends), and while waiting for my second green tea of the day and my lunch, my mate and me take turns at complaining about our mornings. Lunch takes 30 minutes to arrive, a point I make of mentioning to the waiter (does he not KNOW I’m busy?) and on the way home I pick up a skinny chai latte (First World White Girls love chai latte). But I’m annoyed as I go to pay with the spare $50 floating around my wallet and wouldn’t you know it, the till is stuck and I can neither pay nor receive my chai. Just as that serious issue is fixed, I head upstairs in the shopping centre to pick up my library books (which cost me 50 cents to reserve) but I can’t just swipe my card and leave, as I owe the library $10.20. This time my eftpos card won’t work, and so I have to pay in cash. I mean, how annoying, right?
Photo by Nick Morrissey

Photo by Nick Morrissey


The afternoon is spent writing, emailing and surfing Facebook until I have to knock off early and have a long, hot bath (my First World White Girl muscles are tight from all the yoga, you see) before picking up my friend for the show. But I get stuck in traffic in my air-conditioned car, and while I listen to music on my choice of radio stations, I shake my head at what a First World White Girl day I’m having. My friend jumps in my vehicle and we complain all the way to Brisbane’s Judith Wright Centre, where we stop briefly for a burger before the show. I’m relieved to find the burger joint also sells wine, I mean, after the incredibly GRUELLING day I’ve had, how could ANYONE go without wine. I snatch another one just before we enter the theatre.
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If you see nothing else this year, try to get to a production of First World White Girls somewhere around Australia for this is quite possibly the best reminder you will ever have of what a fortunate life we lead. Written, composed and performed by Brisbane cabaret artists Judy Hainsworth and Kaitlin Oliver Parker, this one-hour performance is punchy and perky without being at all preachy. Dressed in floral frocks, faux fur stoles, beige shoes and hair that is coiffed to perfection, the two proceed to entertain the audience with their singing, dancing and dialogue. “Just because we have food, water and espresso pods, doesn’t mean life is easy for us,” they quip, in between sipping on San Pellegrino bottles, with a straw.
Photo by Nick Morrissey

Photo by Nick Morrissey


In fact, the audience is invited to participate, by writing down one (just one) First World problem on a piece of paper, which is then collected in a Tiffany bag, and read out at random. I wrote: “I can’t find a boyfriend” and regular
Global Goddess readers will know this is a life-threatening issue for me. There’s even a checklist to discern whether you are a First World White Girl which includes:
• If you throw a fit when there’s no free wi-fi
• If you chip your $80 manicure
• If you get teased for owning an Android phone
• If your friend spoils the end of Game of Thrones before you get a chance to watch it
• If you get a disastrous spray tan the day before you are bridesmaid at your best friend’s wedding
I know, I know! These are all very real issues, and I’m not sure why the UN isn’t stepping in to solve them.
Photo by Nick Morrissey

Photo by Nick Morrissey


By the end of this show you will have laughed your head off (that doesn’t literally happen in the First World) and taken a good, hard look at yourself. This performance may not solve all of the planet’s issues, but it does take a giant leap towards solving some of our First World Problems.
The Global Goddess was a guest of the Judith Wright Centre of Contemporary Arts, which has a great program of eclectic performances throughout the year – http://www.judithwrightcentre.com To see where First World White Girls are playing next go to http://www.firstworldwhitegirls.com.au
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The Naked Truth

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I’D like to say it’s not every Saturday night I spend laughing at a man’s penis but who am I kidding? It SO is. The only difference is that this time, it’s not one, but two penises (I feel the plural form should be peni?) at which I am chortling. Now, before you think I’ve gone all French on you, it was all work, I swear. And no, I am not supplementing my paltry freelance journalism income for prostitution. Yet. You see, I found myself in the curious position, if you’ll pardon the pun, of reviewing these penises for a story. Well, not exactly their penises, but they did form a rather huge (nudge nudge) part of the show about which I was writing. Yes, on Saturday night, I saw a performance called The Naked Magicians at the Brisbane Powerhouse.
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I don’t want to spoil things for everyone who simply must go and see this show, so I’ll just share some of the more unusual highlights, including the set, upon which there’s a blow-up doll, a box suspended in chains, two fans (which prove absolutely hilarious at the finale), a magic curtain, and a table. Magicians Christopher Wayne and Mike Tyler don’t believe in props, and certainly don’t believe in clothes, which are shed throughout the performance.
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Yes, it’s R-rated magic at its stunning best but while it’s naughty and a little rude, it’s not crude. The magic is simply superb but what makes this show really sing is the boys’ ability to ad-lib, create comedy and even without the tantalising prospect of their tricky dickies dangling before you, you’d have a fantastic time. There’s also plenty of audience participation, including at the start of the show when a giant pink penis is tossed around the audience with gay abandon (which secretly thrilled the New Farm boys in the front row). I screamed when it hit me in the face, and couldn’t offload that bad boy quick enough.
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Naturally, I spent most of the night wondering when it was pants-off time (the boys do start the show fully clothed) and when the proverbial rabbit might get pulled out of the hat. And I was not disappointed. There are no actual penis tricks (this is not Puppetry of the Penis, people) and for the record, I’m still recovering from seeing “the hamburger” from that show anyway. It’s more two all-Aussie blokes, making marvelous magic, in the best way they know how. Naked. Or as they say: “Good magicians don’t need sleeves and great magicians don’t need pants”.
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How the boys actually hatched the idea to create a magic show that they would perform naked is beyond me, but you can bet your bottom (wink wink) dollar, that every woman and gay man in the audience will now be expecting far more in bedrooms around Australia. As if we didn’t expect enough already. Yes, unless you can read my mind like these boys can, don’t call me, I’ll call you. Oh yeah, and there’s a fabulous phone trick too. The Naked Magicians, the best fun I’ve had in ages… with my pants on.
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The Global Goddess was a guest of The Brisbane Powerhouse. The Naked Magicians is running until June 29 before heading to regional Queensland and on to Las Vegas. http://www.brisbanepowerhouse.org
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Finding Utopia

Sunrise at Woodfordia
FOR one week every year, one magical week between Christmas and New Year, in the Sunshine Coast Hinterland behind the tiny township of Woodford, exists the People’s Republic of Woodford. The Woodford Festival. If you’re looking for an antidote to a frenetic year, a chance to recharge your batteries, to find a destination that for one week only represents the way the world should be, head to “Woodfordia” where reality is suspended, if only for the briefest of times.
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On this beautiful 200 hectare environmental parkland, which has withstood the scourge of floods and scorching summers, people are nicer to each other, they dance, laugh and sing. Talk to complete strangers. Engage in debates about the universe, global warming, coal seam gas, fracking, and euthanasia. Dance under huge tents, play the bongos, dine on exotic cuisine, strum guitars, learn how to paint, draw and craft things. They hug trees, hug each other. Trek to the top of the hill and honour the last sunset of the year and the first sunrise of the next. Sit under the Southern Cross and in a huge bush ampitheatre indulge in that unmistakable Australian sound emanating from new bands. Discover foreign groups. Honour the Indigenous custodians of the land in Jinibara Country on which they sit. Chat around the campsite.
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If the Woodford Folk Festival isn’t Utopia, then it’s about as close to Nirvana as you will find. What other place on the planet do you line up to fill your recycled bottle with rainwater to discover the person in front has already paid for it? This is a destination where paying it forward looms large. Egos are suspended. Bonhomie reigns. The Global Goddess has been attending Woodford for about a decade, at first apprehensive that it was a bit of a hippie festival with which she would have no connection. Back in the early days I didn’t camp but drove home to Brisbane every night to the comfort of a warm shower and a soft bed. As the years wore on, I started out in a basic tent pitched in the campsite of my friends. I slept like the dead, to the sounds of distant beating drums. I awoke each morning to the cacophony of the Aussie bush.
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These days, we’ve upgraded, our site becoming more sophisticated as we sleep in a campervan, our friends in a Kombi, a tarp strung between the two, mapping out our home for the week. There’s Moet in the esky and aged cheese and strawberries in the fridge. We eat fancy pancakes for breakfast. Brew real coffee. And sit down and pour over the program and plan the day ahead. This year’s program, just released late last week, promises to be a corker. Highlights of this year’s festival include singers Beth Orton, Tim Finn and Clare Bowditch; Environmentalist Professor Ian Lowe; former politician Bob Hawke and, yet-to-be-confirmed Malcolm Turnbull; comedian Denise Scott; writer Blanch D’Alpuget.
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And there’s some acts always worth revisiting among the diverse performance venues on the site. The Global Goddess likes to spend her time in the Blue Lotus tent listening to talks on spirituality. Sometimes I sit on the hill and watch stunning Spaniards introduce me to fast and frenetic music with a tinge of Hawaii Five’O. Other days, it’s in Bills Bar you’ll find me, people watching as much as music listening, having a cold beer before heading down the hill to the Blues Tent. A couple of belly laughs in the Comedy Tent is also a nice way to end the evening and as I stumble back to camp to the glow of paper lanterns, I’m likely to stop several times, for a tea and a carob ball in the Chai Tent, a cold drink in the Pineapple Lounge, a bit of jazz, a circus act, some Indian or Tibetan music along the way.
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Last year’s festival saw 2,200 artists and musicians perform across 25 venues to an audience of 113,000 people over that wonderful week. A steady program of tree planting over the years, in which attendees can “adopt” a tree, has resulted in the 101,000th tree planted in Woodfordia soil this year. Some years there’s dust. Others, it rains and there’s mud. Bring your gum boots. Embrace nature and creativity. Random acts of music. Robust acts of kindness. That’s my idea of Utopia. What’s yours?
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For more information on the Woodford Festival please visit http://www.woodfordfolkfestival.com
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